Keying Greenscreens in Composite

Pluralsight
Course Summary
In this series of lessons, we'll learn how to key green or bluescreen footage in Composite. Software required: Composite 2011 and up.
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Course Description
In this series of lessons, we'll learn how to key green or bluescreen footage in Composite. Using greenscreens is a common practice in today's VFX workflow, so understanding how to get a good alpha from greenscreen footage is very important. We'll begin this project by learning what a chroma key is and what we need to look out for while we shoot the greenscreen footage. From there, we begin keying a sample shot using the Keyer supertool. We'll then learn how to refine our matte and edge using the various built-in modifiers. Then we'll combine multiple Keyers to get the best possible result. Finally, we will composite our keyed footage over a background and learn about spill suppression and some compositing tricks to integrate our pieces of footage. We'll end by learning a method of treating compressed or chroma subsampled footage to pull better keys. Software required: Composite 2011 and up.
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Course Syllabus
Introduction and Project Overview- 1m 21s
—Introduction and Project Overview 1m 21sKeying Greenscreens in Composite- 1h 14m
—Visual Guide to Chroma Key 1m 39s
—Understanding How to Set up and Shoot Greenscreens 6m 25s
—Pulling Our First Key Using the Keyer Supertool 6m 14s
—Using Garbage Masks to Isolate Our Subject for Easier Keying 6m 15s
—Using Cleanup Alpha Controls to Tweak Our Matte 8m 37s
—Using the Edge Tab to Do Various Edge Operations 8m 55s
—Combining Multiple Keyers to Capture Hair Details 8m 16s
—Using the Spill Suppression Options to Clean Our Edge Color 7m 38s
—Adding a Light Wrap to Help the Composition 8m 30s
—Removing Dv or Chroma Subsampling Artifacts 11m 31s