Matte Painting Basics and the Static Camera Shot
Pluralsight
Course Summary
In addition to creating a beautiful matte painting shot, this course takes you through all the best practice basics and unspoken rules of matte painting and helps you develop good professional working habits.
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Course Description
Learning how to you matte painting effectively and efficiently can elevate your work to the next level. In this course, Matte Painting Basics and the Static Camera Shot, you will begin by gaining a solid understanding of foundational techniques by learning about resolution, static grain, distorted plates, bit depth, and software settings. Next, you'll learn how matte paintings should be organized, what painting techniques will break your shot, and even small details like how to name your files and layers. Once you understand how to properly setup and build your file, you will learn how to match your plates perspective, and alter the perspective of some architecture to fit into your shot. During the blocking phase you'll also learn how to build your own personal reference library, and then how to extract and clean up your painting after you've finished blocking. You will then take your painting from photoshop to nuke to composite and add life and movement to your static shot. Finally, you'll learn a bit about how matte painting fits into a vfx pipeline, how to hand off your shots to another artist or department, and the process of revision in the visual effects world. By the end of this course, you'll have a beautiful shot and be more confident in setting up your own static matte paintings. Software required: Photoshop-CC-2015.5, NukeX-10.5v2.
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Course Syllabus
Course Overview- 1m 18s
—Course Overview 1m 18sTechnical Setup- 23m 11s
—Introduction 1m 2s
—Setting Your Canvas Resolution 6m 10s
—Distorted Plates vs. Undistorted Plates 0m 48s
—Film Noise and Static Grain 5m 57s
—Bit Depth and File Formats 4m 13s
—Photoshop Color Settings 4m 58sPSD Organization- 13m 4sPerspective and Patching- 27m 46sBlocking and Cleanup- 33m 54sFrom Photoshop to Nuke- 25m 7sFinishing Your Shot- 14m 54s